Publications and presentations

(last updated in early 2020)

Recent and forthcoming publications

“Hamlet’s French Philosophy,” in New Directions in Early Modern English Drama: Edges, Spaces, Intersections, edited by Mark Houlahan and Aidan Norrie. Kalamazoo, MI: MIP University Press [forthcoming].

“Revising Academic Generosity,” in ‘Revisions’, Philament: A Journal of Literature, Arts and Culture (co-authored with Ella Collins-White and Samantha Poulos)

“The Translation and Adaptation of Miyazaki’s Spirit Princess in the West,” in Princess Mononoke: Understanding Studio Ghibli’s Monster Princess, edited by Rayna Denison and Chris Pallant. USA: Bloomsbury Academic, 2018.

“To English, or not to English?: Shakespeare as a translator,” Multilingual Locals and Significant Geographies (MULOSIGE), 3 October, 2017, http://mulosige.soas.ac.uk/shakespeare-english-translator/.

Recent reviews

Approaches to Teaching Tolkien’s ‘The Lord of the Rings’ and Other Works, edited by Leslie A. Donovan. New York, MLA: 2015. (Parergon 35.1, 2018)

Textual Distortion, edited by Elaine Treharne and Greg Walker. Cambridge, D. S. Brewer: 2017. (Parergon 36.1, 2019)

Hamlet on the Ramparts, developed by Peter S. Donaldson and MIT Shakespeares. http://shea.mit.edu/ramparts/. (Borrowers and Lenders: The Journal of Shakespeare and Appropriation 12.2, 2019)

Editing

Co-editor, ‘Revisions’, Philament: A Journal of Literature, Arts and Culture 25.1

Selected conference papers

“Marlowe’s Language at the Edge of English,” ‘Marlowe and Early Shakespeare’ seminar, Shakespeare Association of America (SAA), Denver, 15-18 April, 2020 (online only due to Covid-19)

“Translating Miyazaki: Subtitles, Voice Dubs, and Film Sound as Ideology”, ‘Literature and the Moving Image’, Annual Conference of the Australasian Association for Literature + Camera Stylo III, Sydney, 11-13 July, 2019

“‘But never doubt I love’: Faith and False Friends in Hamlet,” ‘Fellowship in Shakespeare’s Time’ seminar, Shakespeare Association of America (SAA), Washington DC, 17-20 April, 2019

“‘Pronouncing…some [un]doubtful phrase’: speech, agency, and editing in Hamlet via Montaigne’s Essais,” ANZAMEMS, ‘Categories, Boundaries, Horizons’, Sydney, 5-8 February, 2019

“‘Lines, circles, scenes, letters, and characters’: Editor vs. teacher vs. student in early modern texts, Shakespeare Reloaded, ‘Shakespeare FuturEd’, Sydney, 1-2 February, 2019

“Translating Miyazaki: Monolingualism, Mononokehime, and other Monsters,” Novel Network, ‘Bildungsroman: Form and Transformations’, Sydney, 22-25 November, 2018

“Shakespeare as a translator: (re)writing Hamlet‘s “shreds and patches”,” Literary Studies Convention, ‘The Literary Interface’, Canberra, 3-7 July, 2018

““Capapea”, “comedie”, and the Amleth myth: Shakespeare’s French Dialect,” Northeast Modern Language Association (NeMLA), ‘Global Spaces, Local Landscapes, and Imagined Worlds’, Pittsburgh, 12-15 April, 2018

“Hamlet’s French Philosophy: Playful Writing at the Edge of English,” Australia and New Zealand Shakespeare Association (ANZSA), ‘Shakespeare at Play’, Melbourne, 8-10 February, 2018

“Translating Translations: Shakespeare’s Multilingual ‘English’,” Harvard Institute for World Literature (3-26 July), Copenhagen, 22 July, 2017

La Nostalgie du Prince Hamlet: French Sources for an Anglo-Danish Prince,” Centre for the History of Emotions (CHE), ‘Hamlet and Emotion: Then and Now’, Perth, 10-11 April, 2017

““Borne”: Shakespeare at the Edge of English,” ANZAMEMS, ‘Mobility and Exchange’, Wellington, 7-10 February, 2017

Selected invited and departmental talks

“‘To tell my story’: Montaignian editing and the tragic sense of ending,” Department of English annual seminar series, University of Sydney, 11 March, 2020

“‘Yet what I shall choose I wot not’: doubt and faith in early modern literary scholarship,” Australian Fellowship of Evangelical Students (AFES) Draft Day Seminar, University of Sydney, 19 October, 2019

“‘To tell my story’: Montaignian editing and the tragic sense of ending,” English and Theatre Studies departmental seminar series, University of Melbourne, 18 September, 2019

“Genre as discourse,” ART (Approaches to Reading Theory) reading group seminar series, University of Sydney, 27 August, 2019

“‘Pronouncing…some [un]doubtful phrase’: speech, agency, and editing in Hamlet via Montaigne’s Essais,” Poetry & Poetics reading group, University of Sydney, 15 November, 2018

“World literature(s), translation studies, and literary systems,” ART (Approaches to Reading Theory) reading group seminar series, University of Sydney, 7 August, 2018

Hamlet and its French Philosophy: Rereading Shakespeare’s Montaigne,” 29 September, EMLAC (Early Modern Literature and Culture reading group), University of Sydney, 2017

Selected other conference involvement

Panel co-organiser for ‘Language and Agency: From Medieval to the Early Modern’, Australian & New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS), ‘Categories, Boundaries, Horizons’, Sydney, 5-8 February, 2019

Panel co-organiser for ‘Rereading the Medieval and Early Modern’, Australian & New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS), ‘Categories, Boundaries, Horizons’, Sydney, 5-8 February, 2019

Conference convenor for ‘“What If?”: Reading Worlds of Possibility,’ Department of English, University of Sydney, 14-15 June, 2018

Chair for conference session “Shakespeare and Irreverence,” Australia and New Zealand Shakespeare Association (ANZSA), ‘Shakespeare at Play’, Melbourne, 8-10 February, 2018